Para acceder a ella entrar en el enlace: Prittwitz, Wilko von, Las aproximaciones críticas de Ortega a Goya (Master’s thesis, Emory University, 1986).
Aguilera Cerni, Vicente, Ortega y d’Ors en la cultura
artística española (Madrid: Editorial Ciencia Nueva, 1966)(Colección Los
Complementarios de ensayistas españoles contemporáneos).
Boyers, Robert, Culture and the Intellectual at the
Height of the Time, 80 TriQuarterly 160-170 (Winter
1990/1991).
Gantner, Joseph, Ortega y Gasset und die spanische Kunst (Mainz:
Akademie der Wissenschaften und der Literature; Wiesbaden: In Kommission bei F.
Steiner,1976)(Akademie der Wissenschaften und der Literature. Abhandlungen des
Geistes- und Sozialwissenschaftlichen Klass; Jahrgang 1975, nr. 8).
Livingstone, Leon, Ortega y Gasset’s Philosophy of Art (Thesis,
Brown University, 1952).
Livingstone, Leon, Ortega y Gasset’s Philosophy of Art, 67 Publications
of the Modern Language Association 609-654 (September 1952). Originally
presented as the author’s thesis, Brown University.
Moron Arroyo, Ciriaco, Ortega and After: An Idea of the
Humanities, 36 The Literary Review 424-427 (Spring 1993).
Orringer, Nelson R., Sport and festival: a study
of ludic theory in Ortega y Gasset (Dissertation, Brown University, 1970).
Prescott, Edward Kerrigan, Art and reality in the aesthetic theory of
Ortega y Gasset (Dissertation, University of California, 1966).
Prittwitz, Wilko von, Las aproximaciones
críticas de Ortega a Goya (Master’s thesis, Emory University, 1986).
Read, Herbert Edward, High noon and darkest
night (Middletown, CT: Center for Advanced Studies, Wesleyan
University,
1964)(Monday Evening Papers; 3).
Read, Herbert Edward, High noon and darkest
night : some reflections on Ortega y Gasset's philosophy of art (Zürich:
Rhein-Verlag, 1965)(Eranos Jahrbuch; 33).
Salmon, Laura, On point of view in photography :
a transposition of the work of Jose Ortega y Gasset (Masters’ thesis,
Columbia College, Chicago, 1990).
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